Some questions have been floating around in my head concerning my project for Body of Work so far. These questions are based around how/if it relates to regeneration and these questions inevitably lead to more questions! I have therefore jotted some of them down in an attempt to provide answers to at least a few of them.
I have decided to make what seems will be a pretty boring post concerning the logistics of my composite making and the selection of location from which to photograph from. I feel this is necessary because it is useful firstly as a reference point to remind myself of why I’m making the choices I’ve arrived at. Some of these reasons are practical while others are more thought out. The other use for making this post is that I might arrive at realisations I hadn’t conceived before writing this down.
At first glance, when looking at the original composite and the composite I’d just made, not much has changed in terms of place. However, upon closer inspection the composites reveal change which took place sometime in the 5 or so months since the original was created. I feel the time between composites allows for change and it is up to the viewer to look for the differences. It is also up to me as the artist to entice the viewer in. I’m beginning to think this will come with how I eventually present the composites (including text) as well as framing the composites as similarly as possible so these differences are more discernible.
I produced another composite with the same framing, based on an original composite of the same location. I happen to feel this particular location is quite strong in terms of juxtaposing the old and the new. In my mind this is a way of symbolising change is taking place within an area. The sleek, modern aesthetics of the block of flats on the left of the frame show they can’t have been there too long, while the disused, dilapidated pub in the centre/right of the frame is clinging on to existence in its present state.