Place and its people are a central aspect of how my project Reconstructing Deptford started and how it has progressed. I have deliberately put place first because it was the primary consideration for me as I began. Now, I consider people to be the thing the holds a place like Deptford together, with the setting they find themselves in the backdrop. Regeneration of a place that is close to my heart is of interest to me. Showing the people within the diptychs to be similar in one way yet different in another backs up my assertion that people in the regenerated setting are an important part of Deptford too.
As I alluded to in the post Showing Not Telling, I have decided to make a post detailing how I make a map-based approach to titling the diptychs for my body of work. One of my concerns with map-based titling was that the project should have something to do with a map in the first place. I feel in retrospect that this isn't necessarily true. The concept that drives the project doesn't have to start by drawing a circle on a map for instance in order for the project to be titled this way. Instead the map can be a tool that embellishes the project, by inviting the viewer to delve deeper into the map or coordinates that point to the map.